For the study of historical dress; consisting of analyses of costume in paintings, translations of and research into fashion plates, and occasionally actual sewing.
Galerie des Modes, 32e Cahier, 2e Figure
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Young Governess of a child helping a very young child to walk; he is dressed in a little Sailor suit, but he is equipped with a Pudding Cap and also wears leading strings. (1780)
Hello, everyone! It’s Cassidy, Mimicofmodes here, on Twitter, on Tumblr, on Reddit, and on Etsy. Anyway, I have a small but fantastic collection of historic clothing. Antique historic clothing, not pieces I’ve made. A few of the pieces I bought myself, at thrift shops and on eBay and Etsy, but most of it was very kindly given to me several years ago by a blogging friend, Natalie Ferguson . Unfortunately, I’ve never had the chance to do anything much with them – but I’m so excited to be able to share them with the world this way! My collection ranges from a late 18th century shift to a 1980s cocktail dress, with most pieces from the early 20th century. At first I thought I could show you this gorgeous Edwardian evening skirt – the bodice apparently didn’t survive, or maybe it was sold separately at some point – but it’s very delicate. I wouldn’t want to put it on my dress form. I also don’t have a large enough space on the floor to lay it out! However, I’m moving this winter, and I s
I did threaten to write about the Ehle/Firth Pride and Prejudice , and since I'm in a writing mood without a topic I decided to make good. Regency adaptations tend to go for an overall accurate look, interpreting age and income within the confines of realistic silhouettes and colors, and so they avoid the scrutiny and reputation that a more obviously artistic and unrealistic production garners. But just as this version of P&P is not entirely faithful in every respect (e.g. the added Darcy-perspective scenes, the actors nearly all being significantly older than their characters - perhaps the most egregious example being Julia Sawalha in her late twenties playing teenage Lydia), Dinah Hill's costuming is not entirely accurate - mainly in ways that make the period more appealing to modern tastes. The exact date when the story is set is never given; generally, the movie's taken to be set in 1813, when the book was published. I'm not going to go into the full story of
The chemise is the first thing you put on, so it's the first garment I'll be discussing. As in other eras, the chemise was used as an underlayer to soak up the wearer's oils and sweat and protect the rest of the clothing. Throughout history, they have tended to be pretty shapeless, but there are typically various features that reflect contemporary fashion. In this period, that typically means higher and wider necklines, and short but full sleeves. Fabrics This period marks the early years of the Industrial Revolution, and the transition from linen to cotton as the basic utility fabric. Linen required a significant investment of time for processing (you have to let the harvested plant sit around in water for weeks to rot the stems and loosen the fibers), while cotton could be cleaned, carded, and spun pretty much immediately, which is part of the reason for this transition. Both linen and cotton were used for undergarments at this time. The Workwoman's Guide, fi
Another winner! It looks like she's gently prodding him off of a cliff. If that is the case, the pudding cap was a thoughtful touch.
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